Drama artist job description. Profession actor. Job responsibilities and features of work

An actor is a performer of roles in cinema and theater. Master of transformation. This is a person who can easily take on the image of another person, completely absorbing her character and qualities. They bring art to the masses, giving people exciting moments. It is these moments that give the viewer the opportunity to have fun and take a break from everyday work, and the performer - fame and popularity.

The origin of acting took place in Ancient Greece. In the era of antiquity, it was a prestigious profession and theater workers were respected. In the Middle Ages, in dark times and mass religious persecution of the Holy Inquisition, actors were despised. They were considered a demonic product, and the theater was recognized as a manifestation of the devil. Skomorokhov and traveling theaters were pelted with stones and rotten vegetables. In the Renaissance, this art begins its journey of recovery. The world of theater gained real popularity only in the 20th century. It was then that Stanislavsky, who founded the Moscow Art Theater, made a revolution of actors. Since then, this profession has been rapidly gaining popularity. Eminent actors acquired armies of fans and became recognizable on the streets. Now movie and theater stars receive chic fees and can afford a luxurious life. But at the same time, this profession is one of the most psychologically and physically difficult in the world.

Description

Acting is based on the principle of reincarnation. In theory, there are two types:

External transformation. In accordance with the script and the author's idea, the actor changes his appearance with the help of make-up, clothes, make-up, masks. This is necessary for a visual resemblance to the character in which to be reincarnated. Actors change their speech, gait and even habits. He does everything to convey to the viewer the features of his hero as much as possible.
Internal transformation. A simple external resemblance is not enough to convey the character's character. The actor learns to think like his hero. To do this, he gets used to the role, adopting the habits and characteristics of the character. According to the script, he understands the essence of the role and completely reincarnates. For maximum similarity, famous actors live the life of their characters for several weeks in order to be imbued with their feelings and experiences.

Usually, when preparing for the performance of a role, actors use both types of reincarnation, competently combining this art with artistry, charisma and polished movements. It is these skills that allow the viewer to enjoy theatrical performances and new movies.

What specialties to study

In order to get all the necessary acting skills and master the art of reincarnation, you should choose the following specialties:

Drama theater and film actor.
Musical theater artist.
Puppet theater artist.
Variety and circus performer.

You should be careful about choosing a specialty, because the place of future work depends on it: theater, circus, puppet theater, cinema, opera, etc. But it should be remembered that they all provide basic acting and screenwriting skills, which will allow you to improve or change your skills.

Where to study

In almost every major city in our country there are higher educational institutions that teach theatrical art. The most famous and prestigious are:

All-Russian State University of Cinematography named after S. A. Gerasimov.
Higher Theater School (Institute) them. M.S. Shchepkin at the State Academic Maly Theater of Russia.
Russian University of Theater Arts - GITIS.
Theater Institute. Boris Shchukin at the State Academic Theatre. Evgeny Vakhtangov.
School-studio (institute) them. Vl. I. Nemirovich-Danchenko at the Moscow Art Theater. A. P. Chekhov.

Having managed to pass the commission and enter one of these universities, you get a ticket to a successful acting career. These institutions give hundreds of opportunities, it is important not to miss them and start your creative path.

What you have to do at work and specialization

Every day of an actor's life is quite difficult. These are not only bright parties and presentations. These are constant rehearsals and runs. The actor perfects every movement, every line. Everything must be perfect from looks to intonation. The duties of the actor include memorization and subsequent reproduction of large amounts of information. A true professional knows his text, every line perfectly and does not need prompters' prompts. An actor must constantly monitor his appearance. Any appearance in society must be perfect.

The profession of an actor does not have a normalized schedule of weekdays and weekends. This is round the clock work. It only at first glance seems simple and easy. But getting into the everyday life of an actor, you immediately understand that everything is not so simple.

Every day the actor creates an image. He completely transforms into his character, conveying his essence to the public. The main task is to give an emotional urge to the audience in order to evoke a response from the audience.

Who is suitable for this profession

Actor is one of the most creative professions. A high level of creativity is one of the fundamental factors. The performer of roles must be self-confident and artistic. Playing in the theater or in the cinema requires maximum concentration, reincarnation, it is important that not a single movement looks irrational or ridiculous. After all, the viewer feels any falsity.

An actor must have excellent long-term memory. After all, you need to know the roles by heart. Diction should be clear and understandable to the viewer. So that each word sounds distinct and sonorous, with the appropriate intonation.

If you are an active, artistic person who feels confident in front of the public, then you should try your hand at acting.

Demand

In small settlements and regional centers, the profession of an actor is in little demand in such institutions as the theater. Talented university graduates can work as animators or hosts of festive events.

In Moscow or in St. Petersburg, things are quite different. These are large metropolitan areas in which theatrical life and the film industry are constantly evolving and looking for new faces. Here you have every chance to prove yourself in the acting field.

How much do people working in this profession earn?

Acting fees can be both screamingly large and small. It all depends on your experience. Aspiring artists receive small incomes. The main thing is not to sit still and find ways to use your talent. It is important to have patience, and you will definitely succeed. If not in the cinema or theater, then on stage as a presenter for sure. Earnings directly depend on employment.

Is it easy to get a job

In order to get a job in the specialty, you need to go through a series of auditions. The first step is to submit an application for a role with a video in which you read an excerpt from poetry or prose. If the director likes the way you were able to convey emotions in an original and subtle way, then they will call you and invite you to official auditions.

In order to find a job, it is important to have talent, not just university skills.

How is a career usually built?

An actor's career usually begins with not very prestigious jobs. Usually they start with small theaters or work on holidays as artists or presenters. Such work allows you to gain experience and hone the knowledge and skills acquired during your studies. It is important to learn how to put it into practice.

In order to get a job in more popular places, it is important to constantly attend auditions. On one of them you will definitely be noticed.

Prospects for the profession

The profession of an actor in itself is considered a very prestigious craft. Artists who manage to achieve success receive quite large fees and the love of the audience. The prospects are to get the main roles in theaters and cinema. They give popularity and demand.

The actor can develop. So, many actors often become co-producers of films with their participation or retrain as directors in order to become the creator of the picture, and not its episode.

Job description of an artist-vocalist [name of organization, institution, etc.]

This job description has been developed and approved in accordance with the provisions and other regulations governing labor relations in the Russian Federation.

1. General Provisions

1.1. The soloist belongs to the category of specialists (employees of cultural institutions) and directly reports to [name of the position of the immediate supervisor].

1.2. A person with a higher musical education and work experience in the profile of at least [value] years or a secondary vocational education and work experience in the profile of at least [value] years is accepted for the position of soloist.

1.3. The soloist is accepted and dismissed from work by order [head position].

1.4. Requirements for a soloist: outstanding vocal, excellent musical and stage skills, high professional skills, bright creative personality.

1.5. The soloist must know:

Decisions of the Government of the Russian Federation on issues of culture and art;

Orders, directives and other regulatory documents approved by the Ministry of Culture and Mass Communications of the Russian Federation and the founder of the collective, relating to the activities of the ensemble;

The history of theatrical art;

Classical and modern Russian and foreign repertoire of musical ensembles;

Ensemble's current repertoire;

Theory and practice of acting;

The laws of stage speech and stage movement;

Fundamentals of choreography;

Internal labor regulations;

Rules and norms of labor protection, safety and fire protection.

2. Job responsibilities

Soloist as part of his official duties:

2.1. Under the guidance of a conductor and director, he prepares the parts and roles assigned to him in accordance with the qualifications and performs them on a stationary basis, on tours and trips.

2.2. If necessary, prepares the party and the role in the order of urgent input.

2.3. Participates in the discussion of new works, repertoire plans and other issues of the creative and production activities of the ensemble.

2.4. Preserves and maintains the external form, corresponding to the nature of the performed parties and roles.

2.5. Possesses acting skills to create vocal and stage images.

2.6. Is at the rehearsal creatively prepared.

2.7. He constantly improves his skills, does exercises on his own, and also works with a tutor and accompanist.

3. Rights

The soloist has the right:

3.1. For all social guarantees provided for by law.

3.2. Get acquainted with the draft decisions of the management of the institution relating to its activities.

3.3. Submit proposals for improvement of the work related to the responsibilities provided for in this instruction for consideration by the management.

3.4. Within the limits of its competence, inform the immediate supervisor of all shortcomings identified in the course of activities and make proposals for their elimination.

3.5. Require the management of the institution to assist in the performance of their duties and rights.

3.6. Improve your professional qualifications.

3.7. Other rights provided by labor legislation.

4. Responsibility

The soloist is responsible for:

4.1. For failure to perform or improper performance of their official duties provided for by this job description - to the extent determined by the current labor legislation of the Russian Federation.

4.2. For causing material damage to the employer - within the limits determined by the current labor and civil legislation of the Russian Federation.

4.3. For offenses committed in the course of carrying out their activities - within the limits determined by the current administrative, criminal, civil legislation of the Russian Federation.

The job description was developed in accordance with [name, number and date of the document].

Head of Human Resources

[initials, last name]

[signature]

[day month Year]

Agreed:

[initials, last name]

[position]

[signature]

[day month Year]

Familiarized with the instructions:

[initials, last name]

[signature]

[day month Year]

The profession of an actor is not only flowers and a sea of fans. If you are thinking about connecting your life with the stage, then be sure to read this review.

Average salary: 30,000 rubles per month

Demand

Payability

Competition

entry barrier

prospects

The art of impersonation has long attracted people who are creative, bright and prone to empathy. The acting profession is very popular, so the competition for theater universities is always high.

History

Ancient Greece is considered the birthplace of the theater, where stage performances were of a ritual nature. In the Middle Ages, acting was perceived as complicity with the devil, and only in the Renaissance did the formation of the theater as a serious cultural phenomenon begin. The modern school appeared only at the turn of the 19th and 20th centuries thanks to K.S. Stanislavsky, the founder of the Moscow Art Theater and the author of the world-famous method of preparing an artist. Today, the scene often attracts yesterday's schoolchildren with external paraphernalia. The guys are drawn to a beautiful life, fame, luxury. But even those young men and women who are truly interested in art do not always understand that the profession of an artist is one of the most difficult, and only a few achieve noticeable success in it.

Specialty

In theater universities, actors are trained in the following specialties:

drama and cinema;
Musical Theatre;
Puppet Theatre;
stage and circus.

It should be understood that the chosen direction limits the graduate not as strictly as in other professions. A film actor may well work in a musical theater, and puppeteers sometimes move into drama. This is because the basic items in all departments are the same. Acting, stage movement, speech, acrobatics - these and many other disciplines students master regardless of the chosen direction.

Where to study

There are theater universities in most regions of Russia. In particular, actors are trained in the following educational institutions:

Russian Institute of Theater Arts (GITIS);
All-Russian State Institute of Cinematography named after S.A. Gerasimov (VGIK);
Higher Theater School. M.S. Shchepkin;
School-Studio of the Moscow Art Theater;
Russian State Institute of Performing Arts;
St. Petersburg Humanitarian University of Trade Unions;
St. Petersburg State Institute of Cinema and Television;
Volgograd State Institute of Arts and Culture;
Kemerovo State Institute of Culture;
Yaroslavl State Theater Institute.

Job responsibilities and features of work

If we talk about artists who managed to get a permanent job in the theater, then their main task is to participate in rehearsals and in the performances themselves. The concept of "working day" to the position of an actor is not always applicable. A dramatic artist comes to the theater only when his participation in a rehearsal, run or show is necessary. In cinema, there is the concept of a "shooting day", but the number of hours in it is determined by the terms of the contract. The actor has to learn the text in his free time, and at rehearsals (in any case, at the later stages of the production), there should not be any hitches in this regard. For a theatrical artist, the most difficult time is the release of a play. In the last couple of weeks before the premiere, rehearsals are especially long and require maximum return. In general, acting is associated with constant emotional stress, and not everyone can withstand such a load. Therefore, people with poor health should not go to artists.

Who suits the profession

The actor is a purely creative specialty. It is unique in that the material in the performing arts is the artist himself. Although the director dominates, the image is still created by the artist himself. Reincarnation requires a vivid imagination and inner mobility. Of course, the applicant should not have a fear of public speaking and stiffness. But even this is not enough. The most important thing in the profession is the ability to be sincere, not only in an atmosphere of intimacy, but also in front of everyone.

If we talk about physical requirements, then good diction and an excellent memory are necessary. Separately, it is worth mentioning external data. Let's not dissemble: ceteris paribus, those young men and women who correspond to modern ideas about beauty are accepted into theatrical universities. But still the determining factor is by no means appearance. For example, there is the concept of stage charm, which draws the viewer's attention to the actor, even if he is ugly. And this is already an internal quality, and it is akin to talent. Remember Nina Usatova, Leah Akhedzhakova, Nonna Mordyukova: they never shone with external beauty, but their names have forever entered the history of Soviet and Russian cinema.

earnings

It is difficult to talk about the average salary of actors. In theaters, they are usually paid for each appearance on the stage, and in the cinema - for a shooting day. Many people dream of high fees of stars, but only a few achieve stunning success. The most promising in terms of earnings are television and cinema. A good income is promised by the work of the presenter at corporate parties, weddings and other events. Usually such artists do not depend on anyone, so their earnings are determined solely by their own hard work. But still, do not forget that acting is an art, and it requires a vocation. If you choose a profession based on financial prospects, then it is better to bypass theater universities.

Demand

The center of theatrical life in Russia is located in Moscow and St. Petersburg. There are many venues and film studios where new actors are constantly required. It is more difficult to get a job in smaller cities. But even if you live in the capital, you should understand that universities graduate many more artists than cinema and theater need. Therefore, not everyone is destined to work on stage and on the set. Often even a talented actor becomes the lot of intermittent earnings at children's holidays, mass celebrations and entertainment events. Unfortunately, the risk of being out of work is great in any creative profession, and acting is no exception. On the other hand, much depends on the perseverance of the novice artist. Few people manage to get a good job immediately after graduation, but purposeful people will definitely find their way into the profession. Only for this you need to act: send out a portfolio, go to auditions - in a word, offer yourself. Talented people are not taken to theater universities, but the disclosure of talent depends primarily on its owner.

This instruction on labor protection for an actor in a drama theater is available for free viewing and downloading.

1. GENERAL REQUIREMENTS FOR LABOR PROTECTION

1.1. Persons who have higher or secondary vocational education (culture and art), who do not have medical contraindications, who have passed introductory and primary workplace safety briefings, labor protection training and testing knowledge of labor protection requirements, are allowed to work as an actor in a drama theater, training in electrical safety rules and testing knowledge of electrical safety rules in the scope of job duties, training in fire safety rules and testing knowledge of fire safety rules in the scope of job duties, training in working at height rules and testing knowledge of working at height rules in the scope of job duties, training in safe work practices and methods of providing first aid to the victim in case of accidents at work.
1.2. In the future, the actor of the drama theater at least once every 6 months undergoes a second instruction on labor protection at the workplace; at least once every 12 months - the next test of knowledge of the requirements of labor protection, fire and electrical safety, work at height, first aid to the victim; periodic medical examination - in accordance with the current legislation of the Russian Federation.
1.3. An actor of a drama theater who has not been instructed on labor protection in a timely manner and has not undergone an annual test of knowledge on labor protection is not allowed to work.
1.4. During work, the following dangerous and harmful production factors can affect an actor in a drama theater:
- increased noise level at the workplace (with sound design);
- insufficient illumination of the working area (when the stage is darkened);
- an increased level of light brightness (from spotlights, etc.);
- increased (low) temperature, humidity, air velocity in the working area;
- the danger of falling objects from a height (decorations, curtains, etc.);
- danger of falling from a height (into the orchestra pit, hatches-failures, when working at height, etc.);
- sharp edges, burrs and roughness (on the surface of prop equipment, scenery, stage floor, etc.);
- physical, psycho-emotional overload, overwork;
- the risk of injury when communicating with fans;
— danger of electric shock;
– moving elements of production equipment (winches, cables, etc.);
- fire hazard.
1.5. An actor of a drama theater is provided with costumes and footwear for rehearsals, performances, as well as personal protective equipment (for example, when working at height, with bladed weapons, etc.) in accordance with the current Free Delivery Norms.
1.6. The issued personal protective equipment (PPE) must correspond to the nature and conditions of work, ensure labor safety, and have a certificate of conformity. PPE for which there is no technical documentation is not allowed for use.
1.7. It is forbidden to take costumes and shoes for rehearsals, as well as PPE outside the theater.
1.8. The drama theater actor is provided with detergents and skin care products in accordance with the current Rules for the issuance of soap, washing and neutralizing agents.
1.9. While staying on the territory of the theater, in production and amenity premises, at work sites, an actor of a drama theater is obliged to:
- know and comply with the Internal Labor Regulations, orders of the administration, provided that he is trained in the rules for the safe performance of this work;
- observe labor discipline, work and rest regime;
— comply with the requirements of local regulations on labor protection, fire safety, industrial sanitation;
- take care of the property of the employer;
- perform only the work included in his official duties, work on the instructions of the immediate supervisor.
1.10. An actor of a drama theater notifies his immediate supervisor of any situation that threatens the life and health of people, of every accident that occurs at work, of a deterioration in his health, including the manifestation of signs of an acute illness.
1.11. Drama theater actor should know:
- theory and practice of the actor's skill;
- the basics of stage speech, stage movement, musical literacy and choreography;
- the basics of organizing theatrical business;
- the order of the rehearsals;
- the procedure for entering the stage when participating in rehearsals and performances;
– arrangement of mechanisms for lifting to a height, insurance rules;
- the order of using edged weapons in the corresponding mise-en-scenes;
- a place to store a first-aid kit and fire extinguishing equipment;
- evacuation routes;
- requirements for the quality of work (services) performed, for the rational organization of labor in the workplace;
— safe practices in the performance of work;
— measures to prevent emergency situations;
- procedure for liquidation of emergency situations;
- the effect on a person of dangerous and harmful production factors that arise during work;
- Appointment of personal protective equipment, be able to use them;
— rules and regulations on labor protection, safety and industrial sanitation;
- internal labor regulations established in the theater;
- the requirements of this instruction, instructions on fire safety measures, instructions on electrical safety, be guided by them in their activities;
- be able to provide first aid to the victims, use fire extinguishing equipment in the event of a fire, call the fire brigade.
1.12. Smoking and eating is allowed only in places specially designated for this purpose. The use of alcoholic beverages at work, as well as going to work in a state of alcoholic or drug intoxication, is prohibited. Before eating, wash your hands thoroughly with soap and water.
1.13. When crossing the places of passage of vehicles, it is necessary:
- follow the rules of the road for pedestrians;
- Seeing a vehicle moving towards you, stand in a safe place and give way;
- be attentive to the signals given by the drivers of vehicles and follow them.
1.14. Persons who violate the requirements of the labor protection instructions are held accountable by the administration in accordance with the internal labor regulations and the current legislation of the Russian Federation.

2. HEALTH REQUIREMENTS BEFORE STARTING WORK

2.1. It is necessary to arrive at the theater for a rehearsal or performance in advance.
2.2. Artistic restrooms should be located near the stage and equipped with:
- washbasin with hot and cold water;
- make-up tables with trellis, drawers for storing make-up and make-up accessories;
- individual hangers;
- curtains;
- urn;
- chairs;
- special lounge chairs.
2.3. Wet cleaning of artistic restrooms should be done daily before a rehearsal or performance.
2.4. Check out the art room. Check by external inspection:
- absence of cracks and chips on the housings of sockets and switches, as well as the absence of bare contacts;
- reliability of closing all current-carrying and starting devices;
- the presence and reliability of grounding connections (absence of breaks, strength of contact between metal non-current-carrying parts of the equipment and the ground wire);
- the integrity of the insulation of electrical wires and power cords of electrical appliances, the serviceability of safety devices;
— sufficiency of lighting, the presence of burned-out lamps;
- reliability of fixing incandescent lamps, fluorescent lamps;
— absence of foreign objects in and around the equipment;
- the condition of the floors (absence of potholes, irregularities, water spots, etc.).
2.5. Remove all unnecessary items without blocking the aisles, and check the escape routes.
2.6. Prepare for the performance (rehearsals): apply makeup, put on a theatrical costume. The costume must be sewn in accordance with the sketch according to the figure of the artist. Costumes made on rigid frames must be designed in such a way as to exclude the possibility of injury to the performer and his partners.
2.7. Before the artist enters the stage, the costume designer must inspect the costume and correct any defects.
2.8. Props (orders, belts, belts, etc.) must be attached to the costume or put on the actor in such a way as to exclude the possibility of injury to the actor or his partners.
2.9. Do not keep sharp, breakable objects, as well as any objects that are not related to the role played, in the pockets of the suit.
2.10. Wear PPE if necessary.
2.11. If necessary, get edged weapons and check their serviceability: the reliability of attaching handles to blades, tips to spear shafts, etc. The handles of all types of weapons should be in good condition and fit comfortably in the hand.
2.12. Report all detected malfunctions of equipment, inventory, other problems to your immediate supervisor and start work only after they have been eliminated.
2.13. Undergo targeted briefing for work associated with increased danger, or work not related to official duties.
2.14. An actor of a drama theater should not start work in the presence of the following violations of labor protection requirements:
- in the absence or malfunction of props, equipment, tools, fixtures, ladders, ladders, etc.;
- in the absence or malfunction of personal protective equipment;
- in the absence of safety devices, fire fighting equipment, first aid kit;
- in case of insufficient illumination of the workplace and approaches to it;
– without passing a periodic medical examination;
- when feeling unwell;
- under the influence of alcohol or drugs.

3. HEALTH REQUIREMENTS DURING WORK

3.1. To participate in rehearsals and performances, it is necessary to go on stage only after the installation of the scenery has been completed and the stage board has been checked by the production staff.
3.2. Permission to enter the stage is the call of the lead director.
3.3. The openings of the stage, stage for the removal of scenery, furniture and other stage property must be at least 2.5 m wide and at least 4.5 m high.
3.4. Openings through which scenery is carried directly onto the street or adjacent unheated premises must have a vestibule equipped with thermal curtains and cotton curtains that prevent cold air from entering the stage in winter.
3.5. The scenery of the performance must be installed in such a way that there is a circular passage through the stage, stage at least 1 m.
3.6. After setting the design of the performance, concert, it is not allowed to leave nails, fragments of corkscrews, garbage on the stage board.
3.7. The platform of the playground is arranged horizontally or inclined with a rise of up to 4 cm per 1 m towards the rear stage.
3.8. Lifting and releasing platforms must be on the same level with the floor of other rooms of the stage (difference 5 mm).
3.9. The surface of the play area tablet must be clean carpentry work. The heads of screws, bolts and other details of fastening the flooring are deepened by at least 3 mm relative to the surface of the tablet. Slots, potholes, chips, protrusions and other defects in the shields and between the shields are not allowed. Knots in the shields must be drilled, and the resulting holes are sealed with wooden plugs of the appropriate diameter on glue.
3.10. The platform of the playing area after the flooring and strengthening of the shields must be cleanly planed. It is allowed to paint the tablet only with an aqueous solution of pure aniline (without emulsion for rubbing).
3.11. In the course of a rehearsal or a performance, an actor of a drama theater is obliged to perform only the work for which he has been trained, instructed in labor protection and to which the employee responsible for the safe performance of work has been admitted.
3.12. Do not allow untrained and unauthorized persons to work.
3.13. Use serviceable equipment and devices necessary for safe work, use them only for the work for which they are intended.
3.14. When working with electrical equipment, equipment, follow the rules for their operation in accordance with the instructions for labor protection.
3.15. Correctly follow safe work practices when performing a role, as well as when performing other types of work.
3.16. Climbing and descending to the gaming machines is only allowed by stairs, while observing strict order and avoiding unnecessary haste.
3.17. Be careful when working on the turntable, lifting and lowering platforms, near hatches, dips, orchestra pit.
3.18. It is necessary to know the time of raising or lowering the platforms, turning the circle, opening hatches during the performance.
3.19. Track the boundaries of sites, hatches, dips, their location, which should be marked accordingly.
3.20. Use caution during rapid and frequent scene changes to avoid injury from equipment being moved or lowered.
3.21. Take special care when working with bladed weapons.
3.22. Drama theater actors engaged in mise-en-scenes with the use of edged weapons must undergo special training in their safe use, carefully rehearse the staged battle pattern. Actors who have not passed special rehearsals are not allowed to the performance.
3.23. The director of battle scenes is obliged to submit to the theater management a written recommendation on labor protection and safety precautions when performing the set composition in the structure of movement and in the spatial arrangement of performers, as well as a list of means of protection against injuries and bruises when playing scenes and falling.
3.24. When working together, coordinate their actions with the actions of other theater workers.
3.25. During rehearsals and preparatory work (independent rehearsals, classes), drama theater actors are provided with rest breaks counted as working time, lasting 10 minutes after every 2 hours of work.
3.26. Comply with the fire safety rules, the requirements of this instruction, other local regulations governing the organization of work on labor protection.
3.27. Daily monitor your physical form (do physical exercises), observe the regimen.
3.28. When performing work, an actor of a drama theater is prohibited from:
- sit down and lean on random objects and fences;
- to be in rehearsal rooms in outerwear and shoes, undress or hang up clothes, hats, bags for equipment;
- clutter up passages, driveways, workplaces, approaches to shields with fire fighting equipment, fire hydrants and a general switch on the stage;
- to conduct rehearsals and be on stage in the playing part or in the backstage of the stage during the installation of scenery;
- be backstage during the intermission, as well as during the performance (rehearsal), if the actor is not busy in this scene;
- go to galleries, grates, etc .;
- enter special rooms of the stage;
- sit and lean on the scenery prepared in the wings for mounting the following paintings;
- pass in close proximity and over open hatches and valves;
- to use cold weapons on stage that do not belong to this theater, without checking and bringing them into the appropriate condition;
- use faulty equipment, as well as equipment, devices, the handling of which he is not trained;
- perform work without the use of the necessary PPE;
- start performing one-time work that is not related to his direct duties in the specialty, without receiving targeted instruction;
- use alcoholic and low-alcohol drinks, narcotic substances;
— to store and take food and drinks in the workplace.

4. REQUIREMENTS FOR LABOR PROTECTION IN EMERGENCY SITUATIONS

4.1. When eliminating an emergency, it is necessary to act in accordance with the approved plan for eliminating accidents.
4.2. If malfunctions of equipment, fixtures are detected, as well as other conditions that threaten the life and health of workers, the actor should stop working and report them to the immediate supervisor and the employee responsible for the implementation of production control.
4.3. When a fire occurs, you must:
- turn off electrical equipment;
- stop work;
- organize the evacuation of people;
- immediately start extinguishing the fire.
4.4. In case of electrical fires, only carbon dioxide or powder fire extinguishers should be used.
4.5. If it is impossible to carry out the extinguishing on their own, the actor should, in the prescribed manner, call the fire brigade by phone 101 and inform the immediate supervisor or the theater management about this.
4.6. In case of injury or deterioration of health, the actor must stop work, notify the management and contact the first-aid post (call the city ambulance).
4.7. If an accident occurs that an actor witnesses, he should:
- stop work;
- immediately inform the immediate supervisor;
- immediately withdraw or remove the victim from the danger zone;
- provide first aid to the victim;
— call the city ambulance by phone 103;
- help organize the transportation of the victim to the nearest medical facility.
4.8. When investigating the circumstances and causes of an accident, the actor should inform the commission of the information known to him about the accident.

5. REQUIREMENTS FOR HEALTH AND SAFETY AFTER THE END OF WORK

5.1. After the end of the stage action with the use of edged weapons, the latter should immediately be removed from the stage and handed over to the prop shop.
5.2. Proceed to the artistic restroom.
5.3. Take off the suit and shoes and put them in an individual closet or hand them over to the dresser.
5.4. Remove makeup, wash, if necessary, take a shower.
5.5. Make skin care cosmetics.
5.6. Be careful when communicating with fans, signing autographs.
5.7. Report to the management about all violations of labor protection requirements, cases of injuries at work.

The profession of an actor is not only flowers and a sea of fans. If you are thinking about connecting your life with the stage, then be sure to read this review.

Description

Acting is based on the principle of reincarnation. In theory, there are two types:

External transformation. In accordance with the script and the author's idea, the actor changes his appearance with the help of make-up, clothes, make-up, masks. This is necessary for a visual resemblance to the character in which to be reincarnated. Actors change their speech, gait and even habits. He does everything to convey to the viewer the features of his hero as much as possible.
Internal transformation. A simple external resemblance is not enough to convey the character's character. The actor learns to think like his hero. To do this, he gets used to the role, adopting the habits and characteristics of the character. According to the script, he understands the essence of the role and completely reincarnates. For maximum similarity, famous actors live the life of their characters for several weeks in order to be imbued with their feelings and experiences.

What specialties to study

In order to get all the necessary acting skills and master the art of reincarnation, you should choose the following specialties:

Drama theater and film actor.
Musical theater artist.
Puppet theater artist.
Variety and circus performer.

Who is suitable for this profession

If you are an active, artistic person who feels confident in front of the public, then you should try your hand at acting.

Demand

How much do people working in this profession earn?

Is it easy to get a job

In order to get a job in the specialty, you need to go through a series of auditions. The first step is to submit an application for a role with a video in which you read an excerpt from verse or prose. If the director likes the way you were able to convey emotions in an original and subtle way, then they will call you and invite you to official auditions.

In order to find a job, it is important to have talent, not just university skills.

How is a career usually built?

In order to get a job in more popular places, it is important to constantly attend auditions. On one of them you will definitely be noticed.

Prospects for the profession

The actor can develop. So, many actors often become co-producers of films with their participation or retrain as directors in order to become the creator of the picture, and not its episode.